With the continuous development of China's economy and the continuous strengthening of its national strength, traditional Chinese cultural works have returned to the public's vision and are increasingly loved by young people. The "The Wandering Culture of the Palace Museum" Digital Technology Exhibition of Paintings in the Shiqu Baoji (Catalog of Treasures of the Stone Canal Pavilion) has been jointly studied and discussed by experts from the Palace Museum and cultural and art scholars. They have selected a number of the most representative ancient calligraphy and painting works recorded in the Shiqu Baoji to participate in the exhibition. In collaboration with renowned curators, calligraphy and painting experts, and digital technology experts, various cutting-edge digital technologies such as multimedia projection and AI face recognition have been employed. By integrating the calligraphy and painting works with digital technologies, the exhibition showcases the boundaries of innovative cooperation between culture and art technology from five major themes, creating an exhibition that enables a cultural dialogue transcending time and space.

As a national brand, Diheng China deems it an unshirkable responsibility to help promote the dissemination of traditional Chinese culture. With this original aspiration and sense of responsibility in mind, Diheng China collaborated with its partners to launch this Digital Technology Exhibition - Guangzhou Station. This is not the first time that Diheng has worked with its partners to hold a Palace Museum culture exhibition. Starting from Guangzhou, the "The Wandering Culture of the Palace Museum" Technology Exhibition will tour across the country, bringing this excellent traditional culture and precious historical pictures to the people. Stay tuned for the wonderful show. The exhibition is divided into five major themes: "Admiring the Mountains", "Appreciating the Flowers", "Bathing the Horses", "Contemporary Fun" and "Attending the Banquet".  

In the "Admiring the Mountains" exhibition area, through the digital activation of traditional art, each part of the landscape painting is dynamically and digitally presented. Diheng's projection equipment in the 7000-lumen range is selected. With the use of 3D technology, every mountain in the "A Thousand Li of Rivers and Mountains" painting is newly constructed. Space is the physical form that carries the content of the images. By applying the principle of light reflection, the images are reflected and overlapped with each other in the intricate mirrored space. In ancient Chinese scroll paintings, the viewing method of "changing the scene as one moves" is adopted. The viewer holds the scroll in their hand and rolls it up little by little to view it. Therefore, the magnificent "A Thousand Li of Rivers and Mountains" painting is not completely revealed at once. Instead, each small section can independently form a picture.  

In the light and shadow, the rivers and mountains extend outward, creating a vast space that stretches infinitely. It makes the audience seem to be immersed in the landscape of a thousand li, experiencing the confidence and grandeur conveyed by the magnificent mountains and rivers. In the "Appreciating the Flowers" exhibition area, based on the works depicting flower-and-bird paintings in the Shiqu Baoji (Catalog of Treasures of the Stone Canal Pavilion), through the immersive space, the four chapters of the narrative of life are presented. It shows the process of flowers from sowing, growing, blooming to withering. It enables the audience to fully immerse themselves in the artistic space of flower-and-bird paintings, and they are unable to distinguish whether it is illusory or real, as if having a rendezvous with the ancients in a parallel space.  

In the "Bathing the Horses" exhibition area, when you "step into" Zhao Mengfu's "Horses Bathing" painting, you can see the ancients leading the horses walking gracefully out of the painting, within arm's reach. Based on holographic imaging, garden landscaping and spatial design, the figures and horses that were originally static in the ancient painting seem to step out of it. The people and horses have various dynamic postures as if they are right in front of you. When you step into the work, you also become a part of it.  

Exhibition of "The Wandering Culture of the Palace Museum" Bringing the excellent traditional culture to the people Contributing to the prosperous development of China's cultural industry A grand feast of a major cultural IP A subversive and innovative artistic experience The journey of cultural innovation assistance by Diheng China doesn't end here. The next stop of "The Wandering Culture of the Palace Museum" — Nanjing Station We'll be there waiting for you!